Aimy, with an I. I like a lot of things, and I post what makes me happy. Ask, and I will answer.

ME ?


i might be






superwholock-adventuretime:

rick-sanchez:

camiekahle:

THIS IS THE BEST THING I HAVE EVER SEEN

I’VE BEEN TRYING TO FIND THIS FOR SEVEN YEARS

DO YOU UNDERSTAND HOW HARD IT IS TO ?????

You can just search for “squash banana vine” on google and you’ll find it.

nerdofages:

sakamoto-sama:

THIS IS LOVE BITCHES THIS IS LOVE  GOMEZ AND MORTICIA

They are so beautiful.

takohai:

glitteringknight:

"Your highness" is gender neutral.

So you know, if you’re ever confused about my pronouns.

That’ll work.

alternatively, “your majesty,” “my liege,” and “supreme overlord”

beggars-opera:

colourfulpantsandarainbowhat:

WHY DO PEOPLE CALL IT FUCK, MARRY, KILL WHEN THEY COULD CALL IT BED, WED, BEHEAD

easy there henry

Dumbledore judges the people he works with based first and foremost on how loyal they are to him. Not because he thinks he’s all that, but because, as I said, he views people as game pieces, and you can’t have your game pieces acting up, can you? He values his pieces. He wants to advance and protect them. But he doesn’t want them running off beyond his sphere of influence and doing their own thing. I think there’s something very ambiguous about Dumbledore’s habit of seeking out desperate, socially outcast people and doing them one or two huge favors that leave them bound to him for life. Remus, Hagrid and Snape all fit that pattern, and Trelawney and Firenze appear to join the ranks in OOP. It kind of makes me wonder what Dumbledore has done for Fletcher, Moody and Shacklebolt.

The members of the Order appear to have pretty much internalized Dumbledore’s view of things. They view him not only as their leader, but as their conscience. Hagrid believes everything Dumbledore believes, and would never question or disobey him. Snape doesn’t seem to believe what Dumbledore believes, but still toes the line until the Occlumency lessons in OOP push him beyond his breaking point. In GoF, Snape’s most emotionally vulnerable moments are the ones where Fake!Moody suggests that Dumbledore may not trust him. Remus, confessing his sins in the Shrieking Shack in PoA, feels guilty not so much because he endangered lots of innocent people, but because he betrayed Dumbledore’s confidence. “Dumbledore says…” is the running refrain on pretty much everyone’s lips throughout OOP — except for Harry and Sirius, whom Dumbledore has effectively abandoned.

Speaking of Sirius, Dumbledore’s attitude towards him now begins to make more sense. (For an excellent discussion of Dumbledore’s treatment of Sirius, see this post by darkkitten1. No reason for me to rehash her arguments here.) The problem with Sirius is, he’s not loyal to Dumbledore at all; he’s loyal to Harry. From Dumbledore’s point of view, it’s as if he’s playing wizard chess, and one of the knights suddenly decides that he doesn’t care what happens to the king, he’s just going to take care of that little pawn on the left. So Dumbledore does the only thing he thinks he can do — he sticks his recalcitrant knight into a safe, isolated corner of the board and keeps him from making any moves. Perfectly sensible and strategically sound, as long as you don’t expect your game pieces to have any pesky emotions or psychological issue that need to be taken into account.


Thoughts on Dumbledore," hp_essays, January 4, 2004
(via cordeliacassandra)

THIS MAKES SO MUCH SENSE WITH THE BULLSHIT DUMBLEDORE PULLED IN POA HOLY SHIT

(via flikky)


sixpenceee:

Déjà Vu

Déjà vu is the experience of being certain that you have experienced or seen a new situation previously – you feel as though the event has already happened or is repeating itself.

The experience is usually accompanied by a strong sense of familiarity and a sense of eeriness, strangeness, or weirdness. The “previous” experience is usually attributed to a dream, but sometimes there is a firm sense that it has truly occurred in the past.

Déjà Vécu

Déjà vécu is what most people are experiencing when they think they are experiencing deja vu.

Déjà vu is the sense of having seen something before, whereas déjà vécu is the experience of having seen an event before, but in great detail – such as recognizing smells and sounds. 

Déjà Visité

Déjà visité is a less common experience and it involves an uncanny knowledge of a new place. For example, you may know your way around a a new town or a landscape despite having never been there, and knowing that it is impossible for you to have this knowledge. 

Déjà Senti

Déjà senti is the phenomenon of having “already felt” something. This is exclusively a mental phenomenon and seldom remains in your memory afterwards.

You could think of it as the feeling of having just spoken, but realizing that you, in fact, didn’t utter a word.

Jamais Vu

Jamais vu (never seen) describes a familiar situation which is not recognized. It is often considered to be the opposite of déjà vu and it involves a sense of eeriness. The observer does not recognize the situation despite knowing rationally that they have been there before.

Chris Moulin, of Leeds University, asked 92 volunteers to write out “door” 30 times in 60 seconds. He reported that 68% of the precipitants showed symptoms of jamais vu, such as beginning to doubt that “door” was a real word. This has lead him to believe that jamais vu may be a symptom of brain fatigue.

Presque Vu

Presque vu is very similar to the “tip of the tongue” sensation – it is the strong feeling that you are about to experience an epiphany – though the epiphany seldom comes. 

L’esprit de l’Escalier

L’esprit de l’escalier (stairway wit) is the sense of thinking of a clever comeback when it is too late. 

Capgras Delusion

Capgras delusion is the phenomenon in which a person believes that a close friend or family member has been replaced by an identical looking impostor. This could be tied in to the old belief that babies were stolen and replaced by changelings in medieval folklore, as well as the modern idea of aliens taking over the bodies of people on earth to live amongst us for reasons unknown. This delusion is most common in people with schizophrenia but it can occur in other disorders.

Fregoli Delusion

Fregoli delusion is a rare brain phenomenon in which a person holds the belief that different people are, in fact, the same person in a variety of disguises. It is often associated with paranoia and the belief that the person in disguise is trying to persecute them.

It was first reported in 1927 in the case study of a 27-year-old woman who believed she was being persecuted by two actors whom she often went to see at the theatre. She believed that these people “pursued her closely, taking the form of people she knows or meets”.

Prosopagnosia

Prosopagnosia is a phenomenon in which a person is unable to recognize faces of people or objects that they should know. People experiencing this disorder are usually able to use their other senses to recognize people – such as a person’s perfume, the shape or style of their hair, the sound of their voice, or even their gait. A classic case of this disorder was presented in the 1998 book (and later Opera by Michael Nyman) called “The man who mistook his wife for a hat”.

SOURCE

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 
Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.
On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.
The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”
And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:
[stifled giggling]
[reeeeeeally deep breath]
[COLOSSAL FOGHORN NOISE]
The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.
In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”
FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 
Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

which is 8 fortes. We were shocked until,

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better

zohbugg:

justamerplwithabox:

vivelafat:

prokopetz:

officialdeadparrot:

grellholmes:

elsajeni:

gunslingerannie:

justtkeepcalmm:

dean-and-his-pie:

fororchestra:

musicalmelody:

Fun Story: My director kept telling me and my tenor sax buddy to play softer. No matter what we did, it wasn’t soft enough for him. So getting frustrated, I told my buddy “Dont play this time. Just fake it” 

Our Band Director then informed us we sounded perfect. 

To my readers: “p” means quiet, “pp” means really quiet. I’ve never seen “pppp” before haha.

On the contrast, “f” means loud, and “ffff” probably means so loud you go unconscious.

I had ffff in a piece once and my conductor told me to play as loudly as physically possible without falling off my chair…

Me and my trombone buddies had “ffff” and he sat next to me and played so hard that he fell out of his chair.

The lengths we go for music.

Okay yeah so I play the bass clarinet and the amount of air you have to move and the stiffness of the reed means it only has two settings and that is loud and louder, with an optional LOUDEST that includes a 50% probability of HORRIBLE CROAKING NOISE which is the bass equivalent of the ubiquitous clarinet shriek.

One day, when I was in concert band in high school, we got a new piece handed out for the first time, and there was a strange little commotion back in the tuba section — whispering, and pointing at something in the music, and swatting at each other’s hands all shhh don’t call attention to it. And although they did attract the attention of basically everyone else in the band, they managed to avoid being noticed by the band director, who gave us a few minutes to look over our parts and then said, “All right, let’s run through it up to section A.”

And here we are, cheerfully playing along, sounding reasonably competent — but everyone, when they have the attention to spare, is keeping an eye on the tuba players. They don’t come in for the first eight measures or so, and then when they do come in, what we see is:

[stifled giggling]

[reeeeeeally deep breath]

[COLOSSAL FOGHORN NOISE]

The entire band stops dead, in the cacophonous kind of way that a band stops when it hasn’t actually been cued to stop. The band director doesn’t even say anything, just looks straight back at the tubas and makes a helpless sort of why gesture.

In unison, the tuba players defend themselves: “THERE WERE FOUR F’S.”

FFFF is not really a rational dynamic marking for any instrument, but for the love of all that is holy why would you put it in a tuba part.

This is the best band post 

Everyone else go home

Oh man, so I play trombone, and we got this piece called Florentiner Marsch by Julius Fucik, and we saw this

image

which is 8 fortes. We were shocked until,

image

that is 24 fortes who the fuck does that

Who does that?

This guy. Take a good look - that is the moustache of a man with nothing to lose.

Julius IdontgivaFucik

More like Julius Fuckit

this post just kept getting better and better


poupon:

izzy-rabu:

hangthecode:

Jack was employed into service for the East India Trading Company and was given command of the Wicked Wench. However, after he set free a cargo of slaves, his employer, Cutler Beckett, had Jack branded as a pirate and the Wench set aflame and sunk. After failing to rescue the Wench, Sparrow struck a bargain with the ghostly captain of the Flying Dutchman, Davy Jones, to resurrect his beloved vessel. Jones returned the ship to Jack in near perfect condition except for the permanently charred hull. This prompted Jack to rename her the Black Pearl

(via)

I DIDN’T KNOW THIS WHAT.

danged sympathetic fictional pirates and their refusal to engage in the slave trade, I’ll tell you what. 

riannafinch:

liamdryden:

womp womp

:(

cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.  
     -   Simon Schama’s Power of Art. Bernini

12-year-old cartoon predicted similar scene

topofreddit:



Original post | Reddit thread

vondellswain:

My James, Lily and Harry portrait illustrations are now available as high-quality prints from my Society6 page, in many sizes.

The Boy Who Lived and James and Lily

“The very first time I saw you Harry, I recognised you immediately. Not by your scar, by your eyes. They’re your mother Lily’s. Oh yes, I knew her. Your mother was there for me at a time when no one else was. Not only was she a singularly gifted witch, she was also an uncommonly kind woman. She had a way of seeing the beauty in others, even, and perhaps most especially, when that person couldn’t see it in themselves. Your father, James, however, had a certain, shall we say, talent for trouble. A talent, rumour has it, he passed onto you. You’re more like them than you know, Harry. In time you’ll come to see just how much.”

Society6’s print shop produces gallery quality Giclée prints on natural white, matte, ultra smooth, 100% cotton rag, acid and lignin free archival paper using Epson K3 archival inks. Custom trimmed with 1” border for framing.

brodingershat:

notsocryptic:

draqul:

Lady Gaga vs Pokémon - Applause

(via Applause for Pokemon in this Lady Gaga vs. Pokemon Mash-up - GayGamer.net)

I CAN’T FUCKING BELIEVE HOW WELL THIS WORKS, I AM COMPLETELY BLOWN AWAY

Okay, Lady Gaga’s existing finally makes sense to me.

She’s clearly an escapee from the Pokeverse.

©